Still according to Wilheim (2002, pg.39), ' ' … in case that the voice of the mother is chronically rough and angry, to poderficar associated to an ackward experience and to affect its future disposiopara listening and the communication … ' '. It was observed, through the ultrasound, that fetodemonstra a unpleasantness before the sounds most violent, as films of war, disasters or barulhentas musics and reacts with kicks and movements maiores.' ' … The kicks and the hiperatividade are reactions for which comunicamdesagrado for the natural sound of a more violent music, when beating of tambores, filmesde war or of violence, disasters or situations traumticasvividas for the mother …
' ' (WILHEIM, 2002, pg. 39). In the studies carried through for the psychiatrist canadenseThomas Verny (1981), specialist in prenatal psychology, makes the ouvirmsica mother well, being optimum rhythm classic music, especially the movimentoslentos of baroque composers, as Mozart. It explains that these movimentoslentos have about 60 the 65 strokes per minute. This is the rhythm of coraomaterno at rest, what it creates an environment of peace for the baby. ' ' But meprecisa to like.
In case that contrary, music also goes to estressar it. If mulherconsegue to relax with samba, everything bem' ' (VERNY, 1981). It was with the advent of the psychoanalysis that if started to aolhar for first infancy, attributing to the babies feelings and emotions. However, of basic importance the work carried through nessarea for Melanie meets Klein, among others. In its research on the psiquismo fetalPiontelli (1992, p.34) declares: ' ' … My emphasis centers naimportncia here of that the analysis of children can have for the study of the fetal life … ' '. Following this thought, Wilheim (2002) comments: ' ' … Some of my patients more ' ' regredidos' ' they seemed to be living as seainda was in a not-born state, closed inside of one ' ' womb mental' ' that was almost total impenetrable to the life in the external world.