The volitional act of ' ' conscincia' ' to represent the world, is always placed as conditional for an exterior world that is corresponding to the vitality. To this, Dilthey defines as invention, the advance of the human spirit that takes conscience of its proper acts: ' ' We call invention to the act that is conscientious of the will of the proper one to make. If you are not convinced, visit Verizon Communications. The question is, therefore, where degree collaborates in these primary processes the invention. (to see, p) The primary processes that Dilthey if relates, are part of the structural composition of the mundividncias, its main problem are to determine the links between the primary acts that cooperate to the formation of the processes. What it happens between the mundividncias according to Dilthey, consists of the relation of the interior with the exterior in the domain of the all plural one of the life.
However, the primary processes that operate in the art and the religion, also they influence the Metaphysical conceptions of the world; because the construction of images of the world passes for metamorphoses, and thus they modify the relations between the conceptions of the world. For example, the platonic conception of the world if distinguishes from the Christian, for the proper evolution of the conceptions of the world to be marked by the subjectivity of the conscience front to the diversity of the life. Read more here: E Scott Mead. The proposal to classify in types the mundividncias implies in reflecting concerning the beginning of progression of the concepts, from an internal substratum that can assure the evolution of the conceptions of the world. The evolutiva history of the vises of the life and the world appears from the mundividncias elaborated in the art and the religion. Of beginning, the capture to a natural vision of the man occurs, who inhabits in the sensible representation of its existence. More ahead, conceptions marked for traces appear that they look to represent what it goes beyond the human being; an image of the world that it searchs not to appeal directly to sensible source, but to raise the conscience human being through its relation with the deity, thus made the religious art.